Torso and Bowing Arm Three-Dimensional Joint Kinematics of Elite Cellists: Clinical and Pedagogical Implications for Practice.
Identifieur interne : 000935 ( Main/Exploration ); précédent : 000934; suivant : 000936Torso and Bowing Arm Three-Dimensional Joint Kinematics of Elite Cellists: Clinical and Pedagogical Implications for Practice.
Auteurs : Luke Hopper [Australie] ; Cliffton Chan ; Suzanne Wijsman ; Timothy Ackland ; Peter Visentin ; Jacqueline AldersonSource :
- Medical problems of performing artists [ 0885-1158 ] ; 2017.
Descripteurs français
- KwdFr :
- MESH :
- physiologie : Amplitude articulaire, Bras, Muscles squelettiques, Tronc, Épaule.
- Humains, Imagerie tridimensionnelle, Musique, Phénomènes biomécaniques, Rotation.
English descriptors
- KwdEn :
- MESH :
- physiology : Arm, Muscle, Skeletal, Range of Motion, Articular, Shoulder, Torso.
- Biomechanical Phenomena, Humans, Imaging, Three-Dimensional, Music, Rotation.
Abstract
BACKGROUND
Elite cello playing requires complex and refined motor control. Cellists are prone to right shoulder and thoracolumbar injuries. Research informing injury management of cellists and cello pedagogy is limited. The aims of this study were to quantify the torso, right shoulder, and elbow joint movement used by elite cellists while performing a fundamental playing task, a C major scale, under two volume conditions.
METHODS
An eight degrees of freedom upper limb biomechanical model was applied to 3D motion capture data of the torso, upper arm, and forearm for 31 cellists with a mean experience of 19.4 yrs (SD 9.1). Two-factor ANOVA compared the joint positions between the four cello strings and two volume conditions.
FINDINGS
Significant (p<0.05) effects were found for either the string and/or volume conditions across all torso, shoulder, and elbow joint degrees of freedom. The torso was consistently positioned in left rotation from 5.0° (SD 5.6) at the beginning of the scale, increasing to 16.3° (5.5) at its apogee. The greatest mean shoulder flexion, internal rotation, and abduction joint angles were observed when playing at the tip of the bow on the top string (A): 107.2° (11.6), 59.1° (7.1), and -76.9° (15.7), respectively, during loud playing.
INTERPRETATION
Elite cellists use specific movement patterns to achieve string crossings and volume regulation during fundamental playing tasks. Implications of the static left-rotated torso posture and high degrees of combined shoulder flexion and internal rotation can be used to inform clinical and pedagogical practices.
DOI: 10.21091/mppa.2017.2015
PubMed: 28599015
Affiliations:
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Lawley, WA 6050</wicri:regionArea><wicri:noRegion>WA 6050</wicri:noRegion></affiliation></author><author><name sortKey="Chan, Cliffton" sort="Chan, Cliffton" uniqKey="Chan C" first="Cliffton" last="Chan">Cliffton Chan</name></author><author><name sortKey="Wijsman, Suzanne" sort="Wijsman, Suzanne" uniqKey="Wijsman S" first="Suzanne" last="Wijsman">Suzanne Wijsman</name></author><author><name sortKey="Ackland, Timothy" sort="Ackland, Timothy" uniqKey="Ackland T" first="Timothy" last="Ackland">Timothy Ackland</name></author><author><name sortKey="Visentin, Peter" sort="Visentin, Peter" uniqKey="Visentin P" first="Peter" last="Visentin">Peter Visentin</name></author><author><name sortKey="Alderson, Jacqueline" sort="Alderson, Jacqueline" uniqKey="Alderson J" first="Jacqueline" last="Alderson">Jacqueline Alderson</name></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="2017">2017</date><idno type="RBID">pubmed:28599015</idno><idno type="pmid">28599015</idno><idno type="doi">10.21091/mppa.2017.2015</idno><idno type="wicri:Area/Main/Corpus">000967</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="PubMed">000967</idno><idno type="wicri:Area/Main/Curation">000967</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Curation">000967</idno><idno type="wicri:Area/Main/Exploration">000967</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">Torso and Bowing Arm Three-Dimensional Joint Kinematics of Elite Cellists: Clinical and Pedagogical Implications for Practice.</title><author><name sortKey="Hopper, Luke" sort="Hopper, Luke" uniqKey="Hopper L" first="Luke" last="Hopper">Luke Hopper</name><affiliation wicri:level="1"><nlm:affiliation>Western Australian Academy of Performing Arts, Edith Cowan University, 2 Bradford St., Mt. Lawley, WA 6050, Australia. Tel +61 8 6304 8234. l.hopper@ecu.edu.au.</nlm:affiliation><country xml:lang="fr">Australie</country><wicri:regionArea>Western Australian Academy of Performing Arts, Edith Cowan University, 2 Bradford St., Mt. Lawley, WA 6050</wicri:regionArea><wicri:noRegion>WA 6050</wicri:noRegion></affiliation></author><author><name sortKey="Chan, Cliffton" sort="Chan, Cliffton" uniqKey="Chan C" first="Cliffton" last="Chan">Cliffton Chan</name></author><author><name sortKey="Wijsman, Suzanne" sort="Wijsman, Suzanne" uniqKey="Wijsman S" first="Suzanne" last="Wijsman">Suzanne Wijsman</name></author><author><name sortKey="Ackland, Timothy" sort="Ackland, Timothy" uniqKey="Ackland T" first="Timothy" last="Ackland">Timothy Ackland</name></author><author><name sortKey="Visentin, Peter" sort="Visentin, Peter" uniqKey="Visentin P" first="Peter" last="Visentin">Peter Visentin</name></author><author><name sortKey="Alderson, Jacqueline" sort="Alderson, Jacqueline" uniqKey="Alderson J" first="Jacqueline" last="Alderson">Jacqueline Alderson</name></author></analytic><series><title level="j">Medical problems of performing artists</title><idno type="ISSN">0885-1158</idno><imprint><date when="2017" type="published">2017</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Arm (physiology)</term><term>Biomechanical Phenomena (MeSH)</term><term>Humans (MeSH)</term><term>Imaging, Three-Dimensional (MeSH)</term><term>Muscle, Skeletal (physiology)</term><term>Music (MeSH)</term><term>Range of Motion, Articular (physiology)</term><term>Rotation (MeSH)</term><term>Shoulder (physiology)</term><term>Torso (physiology)</term></keywords><keywords scheme="KwdFr" xml:lang="fr"><term>Amplitude articulaire (physiologie)</term><term>Bras (physiologie)</term><term>Humains (MeSH)</term><term>Imagerie tridimensionnelle (MeSH)</term><term>Muscles squelettiques (physiologie)</term><term>Musique (MeSH)</term><term>Phénomènes biomécaniques (MeSH)</term><term>Rotation (MeSH)</term><term>Tronc (physiologie)</term><term>Épaule (physiologie)</term></keywords><keywords scheme="MESH" qualifier="physiologie" xml:lang="fr"><term>Amplitude articulaire</term><term>Bras</term><term>Muscles squelettiques</term><term>Tronc</term><term>Épaule</term></keywords><keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Arm</term><term>Muscle, Skeletal</term><term>Range of Motion, Articular</term><term>Shoulder</term><term>Torso</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Biomechanical Phenomena</term><term>Humans</term><term>Imaging, Three-Dimensional</term><term>Music</term><term>Rotation</term></keywords><keywords scheme="MESH" xml:lang="fr"><term>Humains</term><term>Imagerie tridimensionnelle</term><term>Musique</term><term>Phénomènes biomécaniques</term><term>Rotation</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p><b>BACKGROUND</b></p><p>Elite cello playing requires complex and refined motor control. Cellists are prone to right shoulder and thoracolumbar injuries. Research informing injury management of cellists and cello pedagogy is limited. The aims of this study were to quantify the torso, right shoulder, and elbow joint movement used by elite cellists while performing a fundamental playing task, a C major scale, under two volume conditions.</p></div><div type="abstract" xml:lang="en"><p><b>METHODS</b></p><p>An eight degrees of freedom upper limb biomechanical model was applied to 3D motion capture data of the torso, upper arm, and forearm for 31 cellists with a mean experience of 19.4 yrs (SD 9.1). Two-factor ANOVA compared the joint positions between the four cello strings and two volume conditions.</p></div><div type="abstract" xml:lang="en"><p><b>FINDINGS</b></p><p>Significant (p<0.05) effects were found for either the string and/or volume conditions across all torso, shoulder, and elbow joint degrees of freedom. The torso was consistently positioned in left rotation from 5.0° (SD 5.6) at the beginning of the scale, increasing to 16.3° (5.5) at its apogee. The greatest mean shoulder flexion, internal rotation, and abduction joint angles were observed when playing at the tip of the bow on the top string (A): 107.2° (11.6), 59.1° (7.1), and -76.9° (15.7), respectively, during loud playing.</p></div><div type="abstract" xml:lang="en"><p><b>INTERPRETATION</b></p><p>Elite cellists use specific movement patterns to achieve string crossings and volume regulation during fundamental playing tasks. Implications of the static left-rotated torso posture and high degrees of combined shoulder flexion and internal rotation can be used to inform clinical and pedagogical practices.</p></div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">28599015</PMID><DateCompleted><Year>2018</Year><Month>07</Month><Day>12</Day></DateCompleted><DateRevised><Year>2018</Year><Month>07</Month><Day>12</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Print">0885-1158</ISSN><JournalIssue CitedMedium="Print"><Volume>32</Volume><Issue>2</Issue><PubDate><Year>2017</Year><Month>06</Month></PubDate></JournalIssue><Title>Medical problems of performing artists</Title><ISOAbbreviation>Med Probl Perform Art</ISOAbbreviation></Journal><ArticleTitle>Torso and Bowing Arm Three-Dimensional Joint Kinematics of Elite Cellists: Clinical and Pedagogical Implications for Practice.</ArticleTitle><Pagination><MedlinePgn>85-93</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.21091/mppa.2017.2015</ELocationID><Abstract><AbstractText Label="BACKGROUND">Elite cello playing requires complex and refined motor control. Cellists are prone to right shoulder and thoracolumbar injuries. Research informing injury management of cellists and cello pedagogy is limited. The aims of this study were to quantify the torso, right shoulder, and elbow joint movement used by elite cellists while performing a fundamental playing task, a C major scale, under two volume conditions.</AbstractText><AbstractText Label="METHODS">An eight degrees of freedom upper limb biomechanical model was applied to 3D motion capture data of the torso, upper arm, and forearm for 31 cellists with a mean experience of 19.4 yrs (SD 9.1). Two-factor ANOVA compared the joint positions between the four cello strings and two volume conditions.</AbstractText><AbstractText Label="FINDINGS">Significant (p<0.05) effects were found for either the string and/or volume conditions across all torso, shoulder, and elbow joint degrees of freedom. The torso was consistently positioned in left rotation from 5.0° (SD 5.6) at the beginning of the scale, increasing to 16.3° (5.5) at its apogee. The greatest mean shoulder flexion, internal rotation, and abduction joint angles were observed when playing at the tip of the bow on the top string (A): 107.2° (11.6), 59.1° (7.1), and -76.9° (15.7), respectively, during loud playing.</AbstractText><AbstractText Label="INTERPRETATION">Elite cellists use specific movement patterns to achieve string crossings and volume regulation during fundamental playing tasks. 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